Creating Different.
Always.

Profile

Digital craftsperson, Marcus Piper, is based on the South Coast of New South Wales, Australia – where he creates complex 3-dimensional art pieces and installations.

A trained industrial designer with over two-decades of Global experience in graphic design and publishing – his art practice brings these elements together using geometry, colour and innovations in manufacture.

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REPRESENTED BY USEFUL OBJECTS

Recognition

Across print, object and artworks Piper’s work has been awarded and published for over twenty years through:

Society of Publication Designers (NY)
Mercedes Benz Design Prize
AGDA
DENFAIR
The Financial Review
Australian Creative
Creative Review
Belle
Dezeen

+ Numerous books on design

COLLECTIONS

Piper’s works can be found as Editions or Commissions in many private homes and hospitality venues.

His work has been exhibited at:

Otomys Gallery Melbourne
Australian Design Centre
Tasmanian Design Centre

And has been acquired by:

The National Gallery of Victoria
Justin Art House Museum

OPTIC 01

An exhibit in black and white – exploring process, materiality and drawing.

Commissioned USEFUL OBJECTS

Photography SHANNON MCGRATH

POL OXYGEN

28 issues of a magazine of Global and personal significance :: 2001–2008.

FIELD

An annual look into the field of architecture, regionally.

Commissioned Regional Architecture Association

IDENTITIES

Selected identities crafted for a range of local and international clientelle.

TERROIR EDITIONS

A series of books exploring the facets of an architectural practice.

Commissioned URO PUBLISHING + TERROIR

SUN AND SHADOW

Part contemporary Australian history lesson and part Indigenous art publication on the Spinifex Arts Project. Edited by John Carty and Luke Scholes.

Commissioned UPSWELL PUBLISHING

HABITUS

Design, art direction and 3 consecutive re-designs over a decade for this journal of architecture and design.

Rockpool Bar and Grill

An iconic book for Neil Perry's iconic restaurant.

Commissioned MURDOCH BOOKS

Photography EARL CARTER

AUSTRALIAN ABORIGINAL ART MAGAZINE

Art direction and design for the first magazine dedicated entirely to Australian aboriginal art.

AES

A private commission for an entire wall through a stairwell void. Produced in numerous carved panels, coated in bronze and 3D printed.

Commissioned Bijl Architecture

Photography Tim Robinson

DIFFERENCE 03 DOOR

Custom door and handles for a private home in embossed nickel and stainless steel.

GAMUT EXHIBITION

An exhibition with Alexandra Blac, curated by Atelier Jade Niklai exploring the GAMUT of possibilities in mirror with a collaborative chandelier sans light.

Commissioned USEFUL OBJECTS

Perspicere

Part of the EASEL Collection – a coffee table and artwork in printed, embossed, sand-blasted and mirrored glass. Now permanently held by the National Gallery of Victoria.

Photography Tim Robinson

SPECTRUM 2.0

A second-coming of the apparition in a colour-way inspired by guitars.

Photography Tim Robinson

SPECTRUM

An apparition of three dimensions. Glass, mirror and colour.

Commissioned NINA MAYA INTERIORS

SPECULO

Windows of colour and form resonating on a theme across multiple sites.

Commissioned NINA MAYA INTERIORS

Photography PRUE RUSCOE AND FELIX FOREST

FRACTURE :: DIFFERENCE

A collaborative show of works on aluminium with Shannon McGrath at the Australian Design Centre.

Photography Shannon McGrath

CADERE

A coffee table to fall into.

Commissioned Sydney Design Week 2022

Photography Tim Robinson

ITER

Editioned outdoor artwork with a brutalist concrete vibe.

Photography Tim Robinson

OROGRAPH

A visual weather system generated purely with vectors – printed and embossed on aluminium.

HALITO

A private commission that breathes life into a plane.

Commissioned NINA MAYA INTERIORS

Photography FELIX FOREST

UNDA

Reflecting the journey between floors UNDA captures the rear wall of this private elevator.

Commissioned NINA MAYA INTERIORS

Photography Felix Forest

OAK REDEFINED

Lenticular typography 5-axis CNC'd into the thermally modified American Red Oak fins for an exhibition space by Adam Markowitz.

Commissioned AMERICAN HARDWOOD EXPORT COUNCIL

Photography TIM ROBINSON

WORKS IN-SITU

From houses to hospo across various formats this is where things land.